![]() ![]() In order to gain more traction in this market, the company plans to address industry concerns around image quality, archiving, security and future proofing, the company recently explained. operation which will more specifically focus on bringing the Frame.io platform to the areas of motion picture and television production. He’s also known for his work on films like Total Recall, The Green Hornet, Whiskey Tango Foxtrot, Gone Girl, Muppets Most Wanted, and The Social Network.Ĭioni will be heading up the new L.A. ![]() ![]() Cioni is known in the industry for creating creative services company Light Iron in 2009 and spearheading the Millennium DXL 8K large-format camera system at Panavision. This initiative was announced in October alongside the appointment of Michael Cioni, previously of Panavision, to Frame.io Global SVP of Innovation. It will also open an L.A.-based office and showroom next year, invest further in security, develop a set of (still to be announced) new products, and deliver on its so-called “camera to cloud” initiative. With the added capital, the startup plans to double its product, design, and engineering teams from 40 people to 80, growing its total team from 110 to 240. He declined to speak to Frame.io’s profitability or current valuation, however.įrame.io claims its customer base is 60% more efficient after adopting its solution, 41% more likely to hit their project deadlines, and are able to produce 39% more videos per month, on average. Of its 1 million active customers, Wells tells TechCrunch around 17,000 are from paying accounts. ![]() Since launch, Frame.io has been adopted by a number of larger customers, including Turner Broadcasting, Disney, NASA, Snapchat, BBC, BuzzFeed, TED, Adobe, Udemy, Google, Fox Sports, Media Monks, Ogilvy, and VICE Media. The feature set, active and archival storage, and customer support also improves as you move further up the pricing tiers. Beyond that, custom enterprise pricing is available. The service today is priced starting at $19 per month for an individual creator, $49 for a small team of three people, with the option to add on seats at $25/per seat per month, for up to 25 total seats. These integrations allow editors to upload directly to Frame.io, then organize and share their products both internally and with external clients. The Frame.io web platform was designed to be a part of its customer’s existing processes, by integrating with non-linear editing systems (NLE’s), like Adobe Premiere Pro, Avid, Apple Final Cut Pro, and DaVinci Resolve Studio. The company additionally touts faster upload speeds than other cloud hosting services, like Vimeo, Box, Dropbox, and others. Today, the Frame.io platform helps creative professionals streamline the video creation process by centralizing media assets, including dailies, scripts, storyboards, work-in-progress, and more, while also allowing for frame-accurate feedback and comments, annotations, and real-time approvals. To date, Frame.io has raised $82.2 million.įounded in 2014 by the owner of a post-production company Emery Wells and technologist John Traver, Frame.io was created to solve the workflows challenges filmmakers faced in their daily lives. Itai Tsiddon, co-founder of Lightricks - another company looking to modernize media creation, most recently with the launch of content creation apps for small businesses - is joining Frame.io’s board to represent Insight Partners. The round was led by Insight Partners, and included participation from existing investors Accel, FirstMark, SignalFire, and Shasta Ventures. New York-based Frame.io, a video review and collaboration platform now used by over a million customers, has raised $50 million in Series C funding to further expand its investment in cloud-based video workflows. ![]()
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